You can’t get files from the Web or upload them if your iPad is not online, but Photoshop Touch works in airplane mode, so you can perform and save most of your editing offline. Compared with, it offers more control over the photo edits and doesn’t require you to be online to do the work.
#ADOBE PHOTOSHOP TOUCH FOR IPAD 2 FULL#
While it doesn’t offer all that the full Photoshop or Photoshop Elements do, Photoshop Touch is a great app nevertheless. That said, after an hour or so of tinkering, you should be comfortable moving around and be well on the way to editing photos and creating images.
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If you’re already a Photoshop user, many tools you’re used to are here but the arrangement of icons and their very appearance is different, so it’s not all familiar territory. That said, Photoshop Touch doesn’t look much like Photoshop for the desktop, and it offers a relatively easy learning curve that will appeal to new users. And the app only works in landscape orientation and won’t flip to portrait mode. In addition, the image size is limited to 1600 x 1600 pixels, which is larger than an image captured with either of the iPad 2 cameras, but still relatively small. These are drawbacks if you’re trying to make non-destructive edits to an image. When you add type to an image, it’s raster type that can’t be edited. While there is a lot to like about Photoshop Touch, there are some disappointments, such as the lack of layer masks or adjustment layers. Photoshop Touch includes a range of adjustments that operate on a selected layer. And you can create folders to organize your work. Once it’s saved, you can send the image to your camera roll, share it via email, upload it to Facebook, or print it. You can save a finished image by tapping the arrow icon in the top left corner, keeping its layers intact. Other features include a small selection of filters and a range of basic tools, such as a paint brush, a clone stamp, a spot healing brush, selection fill and stroke, warp, as well as image resizing and cropping. You can fine-tune this selection using the Refine Edge feature on the Select menu, then use the Extract command on the Edit menu to extract the subject from its background. Select one of the options and paint over the portion of the image you wish either to keep or remove, and Photoshop Touch makes the selection for you. It’s on the left-hand panel of tools with a torn corner icon, alongside the Magic Wand and Brush Selection. Use the new Scribble Selection tool to extract a subject from its background.
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While this isn’t the full Photoshop set, it includes the most useful of them. There is also a small range of layer blend modes, including Normal, Multiply, Screen, and Overlay.